untitled
untitled

I like to draw the people at their easels, immersed in observing and drawing the model. I think capturing both in one image makes an interesting compostion.

IMG_1782.jpeg
    Subject Object    Oil on canvas  by Sally Hyman  I enjoyed the contrast between the two figures here in this composition.  Something a bit comic, perhaps, about their juxtaposition.


Subject Object
Oil on canvas

by Sally Hyman

I enjoyed the contrast between the two figures here in this composition.

Something a bit comic, perhaps, about their juxtaposition.

 This was painted from life in an art class. Here i chose to depict people absorbed in the own work, oblivous to others, and I painted each individual’s art work as a sort of coral, glowing amorphous substance perhaps because the urge to create seems

This was painted from life in an art class. Here i chose to depict people absorbed in the own work, oblivous to others, and I painted each individual’s art work as a sort of coral, glowing amorphous substance perhaps because the urge to create seems to come from a mysterious elemental universal source. Or I was depicting the figures making a mess with orange paint in infantilised mode reminiscent of finger painting at primary school. Take your pick. I prefer to let the images speak to you ( or not) for themselves.

    Studio 3    Charcoal on paper  by Sally Hyman


Studio 3
Charcoal on paper

by Sally Hyman

    Studio 1    Charcoal on paper  by Sally Hyman


Studio 1
Charcoal on paper

by Sally Hyman

    Studio 2      Charcoal on paper  by Sally Hyman


Studio 2   
Charcoal on paper

by Sally Hyman

    Studio 4   Charcoal on paper  by Sally Hyman


Studio 4
Charcoal on paper

by Sally Hyman

untitled
IMG_1782.jpeg
    Subject Object    Oil on canvas  by Sally Hyman  I enjoyed the contrast between the two figures here in this composition.  Something a bit comic, perhaps, about their juxtaposition.
 This was painted from life in an art class. Here i chose to depict people absorbed in the own work, oblivous to others, and I painted each individual’s art work as a sort of coral, glowing amorphous substance perhaps because the urge to create seems
    Studio 3    Charcoal on paper  by Sally Hyman
    Studio 1    Charcoal on paper  by Sally Hyman
    Studio 2      Charcoal on paper  by Sally Hyman
    Studio 4   Charcoal on paper  by Sally Hyman
untitled

I like to draw the people at their easels, immersed in observing and drawing the model. I think capturing both in one image makes an interesting compostion.


Subject Object
Oil on canvas

by Sally Hyman

I enjoyed the contrast between the two figures here in this composition.

Something a bit comic, perhaps, about their juxtaposition.

This was painted from life in an art class. Here i chose to depict people absorbed in the own work, oblivous to others, and I painted each individual’s art work as a sort of coral, glowing amorphous substance perhaps because the urge to create seems to come from a mysterious elemental universal source. Or I was depicting the figures making a mess with orange paint in infantilised mode reminiscent of finger painting at primary school. Take your pick. I prefer to let the images speak to you ( or not) for themselves.


Studio 3
Charcoal on paper

by Sally Hyman


Studio 1
Charcoal on paper

by Sally Hyman


Studio 2   
Charcoal on paper

by Sally Hyman


Studio 4
Charcoal on paper

by Sally Hyman

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