I like to draw the people at their easels, immersed in observing and drawing the model. I think capturing both in one image makes an interesting compostion.
Subject Object
Oil on canvas
by Sally Hyman
I enjoyed the contrast between the two figures here in this composition.
Something a bit comic, perhaps, about their juxtaposition.
This was painted from life in an art class. Here i chose to depict people absorbed in the own work, oblivous to others, and I painted each individual’s art work as a sort of coral, glowing amorphous substance perhaps because the urge to create seems to come from a mysterious elemental universal source. Or I was depicting the figures making a mess with orange paint in infantilised mode reminiscent of finger painting at primary school. Take your pick. I prefer to let the images speak to you ( or not) for themselves.
Studio 3
Charcoal on paper
by Sally Hyman
Studio 1
Charcoal on paper
by Sally Hyman
Studio 2
Charcoal on paper
by Sally Hyman
Studio 4
Charcoal on paper
by Sally Hyman
I like to draw the people at their easels, immersed in observing and drawing the model. I think capturing both in one image makes an interesting compostion.
Subject Object
Oil on canvas
by Sally Hyman
I enjoyed the contrast between the two figures here in this composition.
Something a bit comic, perhaps, about their juxtaposition.
This was painted from life in an art class. Here i chose to depict people absorbed in the own work, oblivous to others, and I painted each individual’s art work as a sort of coral, glowing amorphous substance perhaps because the urge to create seems to come from a mysterious elemental universal source. Or I was depicting the figures making a mess with orange paint in infantilised mode reminiscent of finger painting at primary school. Take your pick. I prefer to let the images speak to you ( or not) for themselves.
Studio 3
Charcoal on paper
by Sally Hyman
Studio 1
Charcoal on paper
by Sally Hyman
Studio 2
Charcoal on paper
by Sally Hyman
Studio 4
Charcoal on paper
by Sally Hyman